![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNM9zRoc0Rr-gyzoZBMicF2xIeqncpKa5UjSKv1x2lcZs3miuqi0yLPy-Ikr1meutdt1kzkWmBA7ZXVUQ0eAe8tl4QGFqtrIF3eARuz2NrWhsspLecNGApPTodRz6qQt6zZpyFT48N4J7b/s320/furpubf.jpg)
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4 out of 5 Stars
I realize that this film is an 'Imaginary' portrait of Diane Arbus. Obviously, the title states the obvious. I am surprised that this film was mainly disliked by film critics. I don't care that Diane Arbus (whose work I am fascinated by) never knew 'Lionel'. I don't care that this film is 99% fiction. Erin Cressida Wilson's brilliant script immediately drew me into Arbus's mind -- scary, erotic, beautiful, ugly, demented, sick, fantastical, breathtaking -- I was completely riveted. This is a beautifully shot film -- Nicole Kidman's eyes, Robert Downey Jr.'s unnerving sexiness, Jane Alexander's cold and uncaring glare. I actually thought Kidman gave a stronger, more original and more unique performance as Arbus than she did in her Oscar nominated 'Virginia Woolf' role in 'The Hours'. 'Fur' was David Lynch-esque, beautiful and scary to look at and overall very well done.
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