Showing posts with label Dakota Fanning. Show all posts
Showing posts with label Dakota Fanning. Show all posts

Wednesday, April 22, 2009

Hounddog (2007)


3 out of 5 Stars
Dakota Fanning single handedly pulled this film off. The film critic in me veers toward criticizing a weak script which was an attempt at 'southern gothic'/Flannery O'Connor, underdeveloped characters with little to no back stories, bizarre plot twists, and an overall jumbled mess of a screenplay. But this film gets 3 stars from me because of how moved I was by Fanning's portrayal of Lewellen. Her eyes, her raw emotions, her dead eyed expressions, her concealed pain, her ability to steal scenes from David Morse (man, I felt bad for him, his part was so cringeful - no actor should have ever taken that one on), Robin Wright Penn (she did the best she could with a poor script) and Piper Laurie (reprising her role in Carrie -- heh!). Dakota Fanning made me cry and I never cry in movies. She is enigmatic, powerful and so fascinating to watch on screen. Her performance alone makes this film worth seeing. She truly is one of the best young actors I've seen on camera.

Friday, February 13, 2009

Coraline


4.5 out of 5 Stars
I am so close to giving 'Coraline' 5 stars. A few small details hold me back. I was pleasantly surprised that Henry Selick not only kept my favorite images from the book (the never ending theater with the dog audience, the carnivale-esque mouse circus, and the walking through fog and mist into a space where everything disappears - only to walk back to the house), but created such stunning, scary, haunting and beautiful images of these scenes. The entire movie was so visually appetizing that I am eager to see it again in the theater. Selick managed to stay mostly true to Neil Gaiman's beautiful story. With two major exceptions. 1) I wish he would have set the story in England. Dakota Fanning gave an excellent voice to an 'American' Coraline -- a bossy and petulant 11 year old transplant from Michigan (yes, the young Southern Ms. Fanning even has the midwestern accent absolutely perfect!). It's scary just how realistic of an 'American' 11 year old Coraline actually is. But had Selick decided to stay true to Gaiman's original English setting, I have no doubt Dakota Fanning would have done an equally wonderful job. 2) I was extremely perturbed by the addition of the character 'Wybourne'. I thought this was extremely unnecessary -- in the book Coraline manages just fine on her own and does not need a boy to 'help' her out. But other than those two minor qualms, I thought this was a perfect film. Keith David as the voice of the Cat exceeded my highest of expectations. And even Terri Hatcher held her own as 'The Other Mother'. But even without such great casting, Henry Selick has trumped Tim Burton in every way imaginable, and reminded his loyal audience just how pivotal a role he was in the brilliance of Burton's earlier films (before they had the fallout after Nightmare and before James and the Giant Peach). Burton is a strong storyteller -- I do think that there was an emotional content to the character of Jack in Nightmare Before Christmas that Coraline lacked. But image wise? It's all about Henry Selick. It's no coincidence that the house in Coraline is a direct homage to the house in Beetlejuice. The ghost children, the garden, Coraline's bedroom, the highlights in Coraline's hair, the subtle gleam of the buttons in 'The Other Mother's' eyes -- Selick is an animation genius. I'm eager for him to find another dark childrens' tale to adapt into a film.

Tuesday, April 15, 2008

War of the Worlds


1 out of 5 Stars
Oh no! Aliens! Tripods! Watch out! Wait, Boston is safe. And Tim Robbins is weird.